We Were Never Here Page 2

  My roommate still hasn’t moved; I half wonder if she’s even alive. No, I full-on wonder this.

  “I’m Lizzie,” I say to the curtain, when my family has been forced away. The room is dark now. Dark dark. I’m telling you: it’s way worse than the infirmary in here.

  “Mm-hmm,” she says.

  “Well, what’s your name?” I ask the curtain.

  “Thelma, honey,” she says. “I’m Thelma.”

  I wait for her to continue, but that seems to be it.

  “Lizzie?” Like it’s a question now. “Nice to meet you,” I say, though I do wonder if those kinds of rules for meeting people actually translate to this type of a setting. I mean, it really wasn’t that nice to meet Thelma.

  She turns up the television, and the local weather screams at me. Apparently, outside of here, tomorrow is going to be a nice day. Of course.

  Thelma has the window, but when I get up to go to the bathroom (I know that makes it sound so very easy, but it is complicated and hard as I can barely swing my legs over the side of the bed here, let alone push myself off this bed and totter alongside my metal IV tree, and as often as I have to go, it is never without drama), I can look out through the slivers of the open parts of the curtain and see the sun go down against the building across the way.

  Why is the sun going down so sad?

  After my scintillating conversation with Thelma, I drift off to sleep thinking: this is not happening to me. This cannot be happening to me.

  I really want to go home.

  I wake up when a nurse comes to take my vital signs. She comes at me with needles and thermometers. The machine that takes my blood pressure squeezes my arm so tightly I forget I have fingers. I feel the now-familiar shot of pain in my stomach, and when she leaves I’m all alone. I picture all the campers with their huge bags of laundry boarding the buses for home. I try not to think of hockey tryouts. Mr. Crayton setting up the orange cones, yelling at everyone to run faster, legs higher.

  I really, really want to go home.

  Day 4: A Lot of Information

  At like 5:30 a.m. the medical students show up, flipping through their charts and whispering to one another. Someone adjusts my IV like he’s dimming a light.

  Don’t I even get a good morning?

  Then they all go in for my stomach, which makes me scream in pain, and then they get so scared they’re doing something wrong—they are just students, after all—they run out of the room, and then the real doctors come.

  The pain doctors.

  “On a scale of one to ten,” they ask, “ten being childbirth, what’s your pain?”

  “I’m sixteen,” I say. It is not the first or second or third time I have felt the urge to cry this morning.

  “Childbirth is the worst pain on earth,” one of the women says, tilting her head to the side.

  The man nods.

  And how would he know this?

  “Okay,” I say. I want to say ten, my pain is a ten, but if I do, that will seem like it is in fact a lot less but I am being a baby. “Nine?” I say, but the pain is ten.

  Anyway, the way Nana tells it, this can’t be as painful as childbirth.

  They both nod and write stuff down, flip their folders shut.

  “We need to deal with your pain first, before anything,” one of them says, and they all trot away.

  It’s not even five forty-five.

  At six fifteen there’s another knock at the door. Why do they even bother knocking? No matter what, they just walk in, announcing: Time for blood! Adjusting your saline! and truck over to my bed.

  “What,” I say. It’s more like a growl.

  The door opens a crack, and I can see the tip of a head topped with dirty-blondish-red hair, I guess you’d call it strawberry blond, but that sounds more like it’s a girl. This is a boy. He’s got freckles splashed across his cheeks, and even from the bed I can see his long lashes blinking at me. His eyes are pale blue. It’s a sweet face.

  “Hey,” he says. “Are you up?”

  I look around as if to see if he’s talking to someone else. “Seriously?” I say. I am in a paper-thin hospital gown and I am under the covers. I haven’t showered since camp, and believe me, it’s not like I haven’t needed one.

  This boy opens the door another inch or so, and now I see he’s wearing a blue oxford shirt, untucked, wrinkled, and his jeans are loose and faded. Also, there’s a red woven leash wrapped around his hand. It’s like he just stepped off a sailboat or could be the lead in a rom-com, or a counselor at the boys’ side of camp, not a weird one. If I were the kind of girl to throw off my clothes and dive off the dock I made out with David B on, this is the boy I would want to do that with, the guy I hope sits next to me as we roast marshmallows and sing stupid camp songs. But this is also the boy who would never like me back. Instead of comfy on a surfboard or on the bow of a boat, I’ve got Dave. Revise that: I had Dave. Now I don’t have anyone.

  “Can we come in?” he asks.

  Yes! Yes! Come in! I think, even though I am as far from being a girl sitting on the lap of a sun-kissed, windswept boy and singing at a bonfire, about to take off all her clothes and run shrieking into the lake, as I have ever been. For the record, I was never that girl, but from here it feels like I could have been or I was about to be. She was definitely the person I might have wanted to be.

  Then a little golden snout sniffs his way in along the edge of the bottom corner of the door. I must admit it’s pretty damn cute, this boy and this dog half in and half out of my room. And then I think: a dog! A dog. A golden retriever. The boy is really tousled and perfect in that Abercrombie-Hollister-Hilfiger way I’ve always both admired and abhorred. I normally like the more nerdy, booky, dark, weird boys in school. There’s this one guy who wears a different flannel shirt every day and who draws all these girls as they sit in class, chins on hands, daydreaming. Everyone thinks it’s creepy, but I always secretly hope he’ll draw me. It wouldn’t mean anything, but I have often wondered how he would see me. What would he choose to emphasize. My nose? It’s long and bigger than I’d like. My hair? I do have good hair.

  Why is he here, this boy? How easygoing can a boy with a dog in a hospital really be?

  I look down at my gown. I have two on—one tied in front and one in the back—just like the ones I’m sure everyone’s wearing to the Metropolitan Ball. Plus, there’s that lack-of-showering issue, and that the last time I looked my hair was knotted, and also greasy, itchy at my scalp. My skin has developed this kind of . . . gray fog surrounding it, as if I’m here for smoke inhalation. And I’m not going to lie; there hasn’t been a whole lot of teeth brushing either. I am the most disgusting I have ever been.

  “No!” I say, turning away. “I’m busy?”

  He cocks his head sideways. “Not really seeing the busy part,” he says. The dog continues to inch his way in.

  “Seriously,” I say again. “I am.” I cross my arms. I am actually grateful for a visitor who isn’t someone in my family or a nurse with a needle. I’m not sure I want this boy and his dog to go away, like, forever. “Thanks, though,” I tell him.

  “Okay.” He backs up and so does the dog, at the exact same time. I think—truly—of synchronized swimmers. “We’ll try you later,” he says from the hallway. “When you’re less loaded down with so many activities. When your calendar clears.”

  I have to laugh. Everything hurts when I do this. I have to go to the bathroom. The door is already closed and I doubt he can hear me.

  “If that boy was headed to see me,” Thelma—she speaks!—says from the other side of the curtain. She sleeps all the time. I mean All. The. Time. “Well, I wouldn’t mind seeing his boots next to my bed is what I mean. But a dog? No sir. No dogs in here.”

  “Hi,” I say.

  “It’ll be okay,” says Thelma.

  “The dog was so cute,” I say quietly, and I can hear the squeak of sneakers and the click of nails on the tiles as they make their way down the hallw
ay together. I miss Mabel. Her dog body. Her bones. I hear a faraway knock and then a meek greeting and then the two of them going into some other lucky person’s room.

  There is no Wi-Fi in here. None. Nothing. No cell phones at all; they screw with the heart monitors or something. But I do have my iPod. I’d brought it for camp, because cell phones are forbidden there too. The way my phone has been banned this summer, you’d think it was radioactive. But this was all part of the “camp experience.” And thank God I did bring my iPod. I imagine having my music here as some kind of soundtrack to this horror movie I’m living. Often I think of it: like the songs that would be playing while the medical students all march in (Pink, “Blow Me”), or as my mother comes walking through that door (Missy Elliott? Don’t know why, but I think it . . . ).

  Or when I’m alone in here. For that, it would definitely be Birdy. I love her. Dee-Dee says I look a little like her, which would be amazing because I think she’s beautiful—thin but not workout thin, perfect skin—but I think Dee-Dee says that because of her long, light-brown hair and her crazy shaggy eyebrows. Those are both like mine, and I still don’t know why I’m so bizarrely scared of plucking my eyebrows. All I’ve ever wanted was to be one of those girls who, like, takes a wisp of hair from each side of her head and gently pins it back. Maybe a braid or two. But my hair and my face, and also my personality, they’re not like that.

  But still, if I were a singer-songwriter and I could be anyone, I would be Birdy because (a) she was, like, five when she wrote her first album, which is incredible, and (b) I love her low, pretty voice and (c) I love her lyrics. There’s other stuff loaded up, too. A Fine Frenzy. Snow Patrol. Parachute. Drake. But also David Bowie and Miss E and Bob Dylan and the Beatles, especially the White Album, which Zoe got me into, probably because Tim got her into it. What if “Blackbird” was playing as the nurses came to take my blood? I think. Take these broken wings and learn to fly . . . Now I realize, though, that it’s not just in here; I have always liked sad songs. They have always been my life’s soundtrack.

  So I’ve got the White Album and Birdy and some Broken Social Scene and I also have this Brontë novel—Wuthering Heights—that I’m supposed to read to prepare for school. I’ve been carrying it around all summer. I haven’t read that much, but it’s good! Like crazy dark, gothic good. But in here? I can’t concentrate on a thing. And this book and the landline make it feel like pioneer times. So even if it’s limited cable, I’m thanking God for television. Thank. God.

  And the landline. Nora called me on it my first day in here. My mother was unpacking a few things from home—a brush (ha!), a toothbrush (ha-ha!), some underwear (well, okay), and so on, and I, who had nothing better to do than watch her do these things, answered the phone on the first ring. I imagined it was just after dinner at camp, and the campers were singing in rounds. (In a cabin in the wood, little man by the window stood, saw a rabbit hopping by, knocking at his door . . . )

  “Hi,” I said to Nora when she called.

  She just started talking. I was wrong; I’d forgotten; camp was over and she was already home in Baltimore. Everything was moving so fast outside of this place. I was losing track of it. Wait for me! I thought before she began talking. It was a weird thought. “I’m still seeing Angelo,” she said. “We’re kind of dating. It’s real, Lizzie. Like post-camp real.”

  Post-camp real. David B and I didn’t even say good-bye. I had been looking to fall by then anyway, looking to finally turning my friendship with Michael Lerner into something . . . else. More. I have loved that guy since the eighth grade. Like, loved him, always hoping, in this crazy kind of pining-little-girl way, that he would one day change, that he would suddenly see me differently. Or see me at all. But he never has, and now it’s all changed anyway. So for all these reasons, hearing Nora’s good news made me insane. Insane with rage; insane with envy; insane with sadness. Had I asked her if she was dating Angelo? Had I asked her anything?

  Wait for me.

  “You know. Angelo,” she said, as if I hadn’t heard her the first time.

  “Hmmm,” I said. The nausea, which is always there now, I can’t get rid of it no matter what I do, began to rise in my throat. My mother hummed to herself as she folded my underwear, piling it into neat stacks.

  “So that’s been, like, really brilliant. Blinding. With Angelo, I mean.”

  Nora and her British slang. I’m not sure if she studied it or overheard it on her family trip to London or read it in some novel, but man has it made its way into her . . . lexicon.

  “Once he kissed me when we were picking blackberries,” she went on. And on. “In the daytime. I’m such a tart!”

  “Cool,” I said. But I really didn’t care. Like Really. Didn’t. Care. I was impressed, though. I couldn’t even imagine ever kissing anyone in the sun.

  “Cheeky girl,” said Nora. She actually said this, and even I know cheeky means you have to have said something . . . sassy. “So what’s going on with you?” she asked.

  “It’s money in here,” I said. “You don’t know what you’re missing.”

  Nora was silent.

  My mother, bent at the waist, stopped for a moment and then resumed her organizing.

  “No really, it’s like the best vacation I’ve ever had.” I thought of the pain meds but refrained from making a drug reference due to my mother’s ever-presence. Better than smoking pot, I wanted to say, but that wasn’t true anyway. Nora and I smoked together once this summer, and we just lay on our backs in the woods and looked up to the sky and watched the leaves rustle on the trees.

  Nora cleared her throat. “Sorry, Lizzie,” she said. “I’m so sorry. I was just calling to say I hope you get better soon. Everyone missed you a lot at the last bonfire. It was all so sad.”

  It seemed so far away from me, already. I might never be able to go back there, never again be that girl singing along to some guitar like nothing had ever happened, setting my marshmallows on fire. That’s how I liked them. Blazed.

  What if I’m just sad forever? I thought. It’s almost like I was never there.

  Nora kept apologizing to me.

  “Thanks,” I said to Nora.

  I couldn’t picture her in Baltimore—what did Baltimore look like? What did Nora’s room look like? Were there Clash and Sex Pistols posters on the wall? Daniel Radcliffe? Bloody Edward Cullen? I just didn’t care anymore—and so instead I pictured the lake lit with candles, paper boats flaming and then blazing bright before going out. How would I just push a boat out on the lake and make a wish now? A wish: no more pain or fear.

  “Bye,” I said, and hung up.

  But if I had let that boy in, if I’d let him in and said hello, if he’d been mine then, mine, just the thought of him, maybe I wouldn’t have been so angry. If I’d had him to think of and wonder about and hope and hope and hope for, maybe I wouldn’t have felt that there was nothing ahead of me. And then maybe I wouldn’t have felt so left behind.

  Still Day 4: The Anatomy of an Innocent Frog

  My mother comes in and says, “It’s not botulism.”

  How sick am I? I want to know and I also don’t want to know.

  She takes the remote and makes a big production of flipping off the TV. My mother hates television. “They think it’s something else, but we have to eliminate all the other things.”

  I ignore her. One day I will want these details, perhaps, but I decide I want to avoid them right now. I don’t tell her about the boy and the dog. Instead, I say, “I was actually watching that.” Someone was blathering on and on about how to talk to your boss if you’re a woman and he’s a man. “It seemed like useful information for me and my new life. My new life as an office person.”

  I hear Thelma giggle.

  My mother breathes in, deeply. “I’ll bring Daddy’s iPad tomorrow, okay? What can I load it up with for you? Please tell me Animal Planet shows. PBS?”

  Actually I love Animal Planet, especially Too Cute, which really is so cu
te it slays me, and my mother loves to make me watch Nova with her, even though it bores me to tears, but what I want now are the stupidest shows I can possibly get my hands on. “I don’t care,” I say. “Switched at Birth. 90210. Old Gossip Girl.”

  “I think I get it,” she says. “But more importantly, or I should say, more imminently, Dr. Malik should be in soon.”

  Imminently.

  Even though they are pumping me through with saline and antibiotics, and also an antinausea medicine that, if it’s working, makes me wonder what life would feel like if it wasn’t working, I know I’m not getting any better. Because it is really true: sometimes you just know. Outside: school is starting tomorrow. I can picture everyone in his or her first-day-of-school clothes, the hallways all bright and shining and ready. All the teachers coming out from behind their desks to introduce themselves. Lockers. Empty notebooks. That smell.

  What I have here, all I have really, is a new hospital bracelet with my name and birth date and Social Security number typed on. That says to me, this is permanent. And I have my mother, who now looks around as if she’s going to tell me a secret. “It’s not salmonella either. Did the pain people come back? Are you comfortable, sweetheart?” She takes my hand.

  She’s going to tell me I’m dying, I think. I will never see my friends again. I will never cuddle with Mabel and fall asleep to her snoring. I will never go to Spain or any Spanish-speaking country, not Mexico or Venezuela or Costa Rica or Puerto Rico, which I know is not a country. I will never become a vet. In this moment I realize that is always what I’ve wanted to be. A vet! Now I know, but now, of course, it can’t ever happen. Also, I will never again hit the hockey ball around in Lydia’s backyard or go shopping with her and Dee-Dee, or go out to eat with them, or even pathetically wait outside of Lolly Adams’s party until a junior from my art class finally lets us in so I can down three beers and make out with Joris, the Dutch exchange student.

  I let my mother hold my hand, but I can’t talk.

  I will never wear an actual gown. It’s not a word I’ve ever used before—they’re just dresses—but now the sound of it, a gown, sounds so beautiful and so far away.